THURSDAY 3RD OF NOVEMBER 15H-18H

 

PANNEL 1: Iñaki Bergera (interactions)

Ari Seligmann  (Monash University)

Mediating Photography in the Architectural Production and Dissemination of Ryoji Suzuki’s “Experience in Material” Series

 

Cristina Gastón (Universidad Politécnica de Cataluña)

Sobre la pista de los fotógrafos de arquitectura moderna en América latina.

 

Andrea Parga  (Universitat Politècnica de Catalunya)

SOMPhotoLog. Arquitectura e imagen.

 

Jesús Marina Barba (Universidad de Granada) y Elena Morón Serna (Universidad de Sevilla)

Vacío construido, espacio representado.

 

Enrique Jerez Abajo  (EINA Universidad de Zaragoza)

Murcutt, Pawson, Lacaton & Vassal: intenciones y estrategias en la fotografía del espacio doméstico.

 

Angelika Schnell (Academy of Fine Arts Vienna)

The Crisis of the Real: Architects Using Photography as Design Tool.

 

Ignacio Moreno Rodríguez (Universidad de Zaragoza)

Fuente y fuga, fotografía y construcción visual.

 

PANNEL 2: Davide Deriu (intersections)

Davide Deriu (University of Westminster)

Moscow vertigo

 

Pía Fontana (UdG), Miguel Mayorga (UPC) y Margarita Roa (USB, Cali)

Desde el aire: fotografías aéreas. Vistas y vedutas del centro de Bogotá.

 

Ana Matos (ETSAM - Universidad Politécnica de Madrid)

La experiencia espacio-temporal entre fotografía y arquitectura.

 

Stefania Rossl (UNIBO University of Bologna)

Contemporary Asian landscape. Photography as identity.

 

Clara Eslava Cabanellas (Universidad Antonio de Nebrija)

...intersecciones: escenas de infancia en la fotografía de calle...

 

Milena Villalba (Universidad Politécnica de Valencia)

La fotografía como proceso de investigación aplicado al Patrimonio Industrial Arquitectónico: ‘Substància Cremada’.

 

PANNEL 3: Carlos Cánovas (proyectos fotográficos)

Duccio Malagamba

Juan Rodríguez

Adrià Goula

 

FRIDAY 4TH OF NOVEMBER 12.30H-14H

 

PANNEL 4: Martí Llorens (interferences)

Feargal Fitzpatrick (National College of Art & Design)

Building Resistance, Photographing Dissent.

 

María Fernanda Jaua Bouthelier (Universidad Central de Venezuela)

Buscando a Heinrich Thede.

 

Sean Weiss (City College of New York)

Documentary Photography, Temporality, and the Industrialization of the Parisian Worksite.

 

Alvaro Velasco Perez (Architectural Association School of Architecture)

The Rise of Phaethon.  An aerial travelogue to north-Africa in the interwar period.

 

Ela Kacel (Bahcesehir University)

Türme der Gastarbeiter: The Representation of Postwar Housing and the Migrant Inhabitants in Photography.

 

David Caralt (Universidad San Sebastian)

Pabellón cotidiano versus Pabellón mítico. Notas sobre las fotografías casuales del Pabellón de Alemania en la Exposición Internacional de Barcelona de 1929.

 

PANNEL 5: Harald Stuehlinger (intersections)

Harald R. Stuehlinger (ETH Zurich)

Prosthetic Architectures: Scaffoldings and Falseworks as Agents in Photography.

 

Benita VanWinkle (High Point University)

Is it Art or is it Documentary?

 

Bettina Lockemann (currently no affiliation)

From the Periphery. A Photographic Approach to the City of Braunschweig.

 

Inger Ellekilde Bonde (University of Copenhagen)

Urban and Architectural Fragments in works by Danish Photographer Keld Helmer-Petersen.

 

Andreia Alves de Oliveira (University of Westminster)

The Space of the Photograph.

 

Carlos Eduardo Comas (Universidade Federal do Rio Grande do Su)

This did not kill that. Photography and modern brazilian architecture/ eso no mató aquello: fotografia y arquitectura moderna brasileña.

 

FRIDAY 4TH OF NOVEMBER 15H-18H

 

PANNEL 6: Rafael Llano (interpretations)

Ágnes Anna Sebestyén (Hungarian Museum of Architecture)

Strategy and Agency in Architectural Photographs: Imaging Strategies that Shaped an Architectural Magazine in Interwar Hungary

 

David Cardelús (Fotógrafo)

La fotografía de arquitectura: comunicación y valor añadido.

www.davidcardelus.com

 

Van de Vijver Dirk (Universiteit Utrecht)

Victor Horta’s staircase ‘12, rue de Turin’. Genesis, canonization and readings of an iconic architectural interior view.

 

Angelo Maggi (Università Iuav di Venezia)

The visual transmission of European architecture by George Everard Kidder Smith.

 

Sarah Borree (University of Edinburgh)

A Photograph is a Photograph is a Photograph: Images in the Baumeister 1927-1933.

 

Stefan Cristian Popa (Architectural Association)

Fragmented visions: Photography as a critical tool.

 

Anne Develey (University of Lausanne)

From Photographers to Exhibition:Switzerland Planning and Building Exhibition (1946–1949) and the Material Circulation of Photographs.

 

PANNEL 7: Hugh Campbell (interactions)

Roberta Marcaccio (DSDHA / Architectural Association (AA))

DSDHA's Grounded Research Agenda : Collective impressions.

 

Arantzazu Luzarraga  (ETSAM-Universidad Politécnica de Madrid)

Proyectar desde la imagen: la fotografía como instrumento creador de atmósferas construidas en la obra de Druot, Lacaton y Vassal.

 

Erieta Attali y Aris Kafantaris

Transient topographies: a photographic language for impermanence

 

Jesús Vassallo (Rice University)

Images inside Images: The Interactions of Thomas Demand and Caruso St John.

 

Gebauer Imola Agnes (Université François Rabelais)

Lucien Hervé, from details to visions.

 

Veronica Bremer (Jacobs University Bremen)

The Architecture of Frederick Romberg through the Lens of Wolfgang Sievers.

 

Michele Nastasi (Università Ca' Foscari Venezia)

The City of Renderings. Photorealism, spectacle and abstraction in contemporary urban landscapes.

 

PANEL 8: Pedro Leao Neto (publisher projects)

Pedro Leao Neto (Scopio Editions)

Photography of the architecture of Eduardo Souto de Moura (Luis Ferreira Alves)

 

Jesus Vassallo  (Rice University)

Seamless: Digital Collage and Dirty Realism  in Contemporary Architecture

 

Ferran Ventura (Editorial Recolectores Urbanos)

 

Juan García-Millán (Ediciones Asimétricas)

 

Proyecto FAME (Iñaki Bergera)

 

Museo Universidad de Navarra

To be confirmed